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Blurb Etiquette

One of the most uncomfortable realities of being a writer is asking for blurbs. It ranks somewhere between Irritable Bowel Syndrome and having bamboo spikes driven under your toenails on the enjoyability meter.

book-blurbBefore The Telling released, I determined to aim high for endorsers. Nothing but “big names.” I contacted a dozen high-profile authors, most of whom I’d had personal contact with, about blurbing the book. When the publication deadline was reached, I had approximately…

ZERO ENDORSEMENTS.

(After the book was released, one author did contact me, apologized for missing the deadline, and graciously sent me a nice endorsement.) Either way, the process was quite a let-down.

I suppose my first reaction is the reaction most authors have when another author does not endorse them:

The reason no one (of consequence) has endorsed my book is because IT SUCKS!

I probably don’t need to say this, but if you want to write long-term, quashing such thoughts is exigent. Of course, making your books more endorseable — well-written, with rising authorial stock —  is important. But until authors are banging down your door to endorse you, the reality is that getting blurbs for our books remains a tedious necessity.

For whatever reasons, I am now in the weird position of having authors ask me for blurbs. Which kind of sucks. Don’t get me wrong, it is quite flattering that ones name would be considered a positive commodity. Furthermore, it’s good form to throw writerly love around, whether it’s in asking for or giving endorsements. Bottom line: Being asked to endorse another writer’s book is a totally awesome problem to have.

The sucky part of this deal is being caught between wanting to be a “blurb whore,” endorse EVERYTHING, and only wanting to endorse books and authors I can GENUINELY get behind.

There’s a downside to both these extremes:

  • The author who endorses EVERYTHING loses credibility, especially when books they endorse turn out to be not so good.
  • The author who only endorses books they GENUINELY like looks like a chap ass, a snobby elitist who lets taste interfere with friendship.

So I had to contact a couple author friends recently and tell them I could not endorse their book. I felt like a total schmuck. I couldn’t offer an endorsement not because I didn’t like their books, but because I didn’t read them. I was just too swamped with my own projects. Perhaps I need to rethink my standards for endorsement. Do I really need to read a book in its entirety and enjoy it before I can attach my name to the title? Why not just endorse the book and stop being a jerk?

Anyway, I felt like a piece of garbage.

And when it comes to blurbing etiquette, maybe that’s the first piece of advice I’d give to an author:

When you ask an author for an endorsement, you are potentially putting them in a place to feel like a schmuck.

Respect that. Do you think they like saying “no” to you? Do you think you’re the only one whose career, reputation, and time is in the balance here?

Which is why it’s good policy when seeking endorsements to simply be polite. Use terms like, “Would you CONSIDER endorsing my latest novel…” or “IF time allows…” In other words, don’t act like a blurb is pending.  Or, even worse, like your author friend owes it to you. And by all means, do not keep score. By that I mean, “So-and-so never gave me an endorsement so I’m never buying another one of their books.” Dude, don’t take it so personal.

Finally, when the potential endorser gets back to you and says they’re unable to endorse your book at this time, please — please — don’t pout. In fact, this is the time when bridges are strengthened and industry relationships are built.

Perhaps your response to NOT getting an endorsement may pave the way for future endorsements.

When said author says they can’t blurb you, write them back and thank them for considering. Don’t go sulking into the shadows. Don’t hang up and leave static. And don’t throw a pity party. Tell them you appreciate their time, you understand how busy everyone is, wish them luck on their current projects… and log the relationship. The worst thing you can do after an author informs you they can’t supply a blurb is to start sniping with them. “Why not? You recently blurbed so-and-so’s book and theirs isn’t half as good as mine.”

FAIL. A thousand times over. FAIL.

Instead, be gracious and thankful for the blurbs you do receive. If you haven’t received any yet, “Keep asking. Keep knocking. And keep seeking.” And when another author approaches YOU for an endorsement, you’ll have a richer appreciation for this ugly affair.

All that to say, those authors who were unable to endorse my last book can be expecting another email for my next book. I am not too shy to keep asking. You shouldn’t be either.

{ 22 comments… add one }
  • Kessie February 4, 2013, 8:39 AM

    Blurbs are something I’ve never even thought about. I honestly couldn’t care less about what famous authors blurb about on the backs of books. Do I read the same books they do? Probably not. I’ve read books with enthusiastic blurbs that I wound up hating, or worse, feeling “meh” about.

    As a reader, blurbs don’t sell me. Good back cover copy sells me.

    • Katherine Coble February 4, 2013, 3:37 PM

      They used to sell me years ago. Then I realised they were canned. Now I ignore them.

      • Christian Jaeschke February 4, 2013, 8:57 PM

        I’ve never bought a book based on an endorsement but I’m more likely to read a book endorsed by Stephen King or Dean Koontz rather than Jerry B. Jenkins or Anne McCaffrey. The back blurb is key though and an interesting, stand-out book cover.

  • Richard Mabry February 4, 2013, 9:11 AM

    Mike, Good points, including some I’ve learned the hard way. And your post brings up a question I’ve asked my own readers before: “Have you ever bought a book based on the endorsement?” Almost all of them said, “No.” Which was disappointing, since I’ve had what I consider to be some neat blurbs. Oh, well.
    Thanks for sharing your experience.

    • Iola February 4, 2013, 1:48 PM

      I bought one book based on the cover endorsement – then found out that the same one-line endorsement from Author A appeared on all books by Author B. Now I actively won’t buy anything endorsed by Author A unless it’s an author I’ve already read and enjoyed, just because I don’t trust the endorsements.

  • Jim Williams February 4, 2013, 9:12 AM

    Truly, Mike, I am wondering if anyone else is offering their wisdom in the ways that you do. Your blog, with it’s (almost) daily dose of writing reality, including some of the most arcane details of a writer’s life is a real treat.

    I think covers are important. I think blurbs are important. In the mysterious world of trying to make a living writing and selling fiction, there is no reason to skip anything that might help get your book purchased. I think the story is of course the most important part, but for beginning writers, struggling writers, not-yet-published writers, your blog reveals many of the hidden challenges.

    I know, you had no idea I was writing fiction. You thought I visited your blog just to heckle you….

    My 2 cents about the blurb: continue to be honest.

    • Mike Duran February 4, 2013, 10:28 AM

      Didn’t know you were writing fiction, Jim. Love to talk to you about it sometime.

      • Katherine Coble February 4, 2013, 3:39 PM

        He’s writing great fiction that I find very impressive.

  • Heather Day Gilbert February 4, 2013, 9:49 AM

    Hey Mike, as an aside, would you endorse my book?

    Grin. But seriously, it does have supernatural stuff in it…

    But seriously, much as I contemplate which endorsers I want, I think it’s best to have the book contract in hand first. I don’t think writers take you seriously when you ask them to read/ponder endorsements until you have a BIG BAD PUBLISHER backing your work and asking them FOR you.

    And so I wait…

    • Mike Duran February 4, 2013, 10:37 AM

      Yeah, endorsements aren’t much good until you’re ready to publish. Typically, the publisher will ask you to cast a net, contact writer friends and such. On occasion, the publisher may contact authors whom they already have under contract, wherein the endorsement becomes almost obligatory. All that to say, in lieu of publication, keep building your network and, when the time is right, don’t be afraid to use it. That includes asking me.

  • Melissa Ortega February 4, 2013, 9:58 AM

    Thanks for an elightening read on something I have always wondered about in the book trade! And thanks for the great advice!

  • Lelia Rose Foreman (@LeliaForeman) February 4, 2013, 10:07 AM

    Yeah, I was wondering if you would consider blurbing my next book.

  • Kat Heckenbach February 4, 2013, 12:19 PM

    I have never bought a book based on a blurb ON the cover. I have bought books based on recommendations by authors I love, though, assuming that if I love their writing so much I may like something they enjoy reading as well.

    That said, I got endorsements for Finding Angel because I felt like it *might* help. I didn’t bother with Seeking Unseen–instead I listed the awards Finding Angel had won :P.

    But I have a cute story: C.S. Lakin is one of my endorsers for Finding Angel. During a conversation with a mom from my homeschool group whose daughter just finished Finding Angel, the mom told me her daughter adored Lakin’s Gates of Heaven series. When I told the daughter that Lakin endorsed me, her eyes got huge, lit up, and I knew *my* book just jumped up the ranks a few notches to her.

    And just to show the flip side–I did have one author flat-out turn me down on endorsing Finding Angel after she read it. Was I disappointed? Sure. But I didn’t take it personally. I’d read and reviewed her novel and given it high scores, and I didn’t run off and delete or edit that. I respected her opinion and moved on.

    I agree that we have to be gracious, thanking an author for their time and consideration whether they endorse or not. And when we ask, do so with a big door that lets them OUT if they need it. I always say, “I fully understand if you have to say no,” right from the start when asking for an endorsement or even a review.

    And as an author who gets asked to endorse, I think it’s important to endorse only the books you can really get behind.

  • Jill February 4, 2013, 12:52 PM

    I wonder how authors feel about endorsing somebody who plans to self-publish…..would that make them look bad? I would like to cast my nets for some endorsements, but don’t know if this is bad form. Any thoughts?

    • Mike Duran February 4, 2013, 1:45 PM

      Jill, now that self-publishing has become more mainstream, there’s no longer a huge stigma attached to endorsements. I sought, and received, endorsements for BOTH my self-published volumes. Tosca Lee was super-gracious enough to blurb “Subterranea.” And Scott Nicholson, who self-publishes most of his own stuff, I believe, endorsed “Winterland.” Amanda Hocking got tons of endorsements on her self-pubbed stuff (before she went w/ trad publishing). A lot of her “endorses” are actually book bloggers and ezine fan sites. So blurbs needn’t only be of the “big name author” brand. Point being, the field’s pretty wide open. Seek endorsers that you think can move the needle for you, whether they’re authors, bloggers, reviewers, whatever. The worst they can say is “No.”

  • Ramona February 4, 2013, 12:56 PM

    Mike, this post made me laugh, mostly because I deal with this at least 25 times a year. While many readers will tell you they don’t buy books based on endorsements, as an editor I hear otherwise. I also hear from people who tell me that an endorsement made them pick a book up, even if they didn’t wind up buying it. When I buy books for friends, I will look for endorsements from people they like. And gatekeepers (those who buy books for store chains) LOVE endorsements.

    Ask and receiving them, however, is a lot like submitting to a publisher or agent and just as nerve-wrecking. Some authors refuse to endorse for perfectly legitimate reasons other than the quality. Friendship is a good reason to refuse, as is time and genre incongruity. Either way, developing a relatively thick skin about it is just part of the business.

  • Christian Jaeschke February 4, 2013, 4:41 PM

    I still can’t get over the fact that Anne McCaffrey endorsed Christopher Paolini’s “Eragon”. I don’t consider her to be a great writer but did she even read his book before endorsing it? I realise he was very young at the time but in the state it was, it shouldn’t have been published.

  • Matt Mikalatos February 4, 2013, 11:07 PM

    Moowhahahaaha! Mike gave me a blurb for my second book, Night of the Living Dead Christians! WIN! WIN!

    One other note: probably because of the large number of introverted, overworked people in the publishing industry, this weird thing has grown up that a lot of times people just won’t ever respond to your request for a blurb. This avoids some of the weirdness of telling friends that you can’t blurb their books, even though it seems rude. So when you’re headed out looking for blurbs, know that sometimes people won’t get back to you at all, and that’s their way of sidestepping the awkward conversation.

    • Mike Duran February 5, 2013, 6:11 AM

      Matt, I didn’t know my blurb made the book. I’ll have to keep an eye out for that.

      • Matt Mikalatos February 5, 2013, 11:04 AM

        WHAT? They should have sent you a copy. Shoot me an email with your address, Mike, and I’ll send one over.

  • Aubrey Hansen February 12, 2013, 10:23 AM

    This was an element of book promotion and production I had overlooked… Thanks so much for the great advice and solid perspective!

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